This 3-LP vinyl and 2-CD set will feature a collection of re-recordings, demos, outtakes, collaborations, and live tracks that presents an alternate history of the band (5 tracks are previously unreleased and 6 are rare and long out-of-print) | Click here to order

This also marks the first time that any of these recordings have been available on vinyl

Cracker to kick-off winter tour December 13th, 2024 in St. Louis (dates below)

Cracker’s David Lowery and Johnny Hickman (photo: Jason Thrasher)

To the uninitiated Cracker might seem to be just another ’90s alternative rock band. However, fans recognize that the band is much more than that, having skillfully explored a wide array of styles over nearly 35 years. Regrettably, when newcomers hear a Cracker song and wish to learn more about the band, they often start with algorithmic streaming playlists. These playlists are typically limited to the dozen or so tracks with the most streams. As a result, these playlists are dominated by a few albums from the early 1990s, the heyday of alternative rock radio. There are also a few “greatest hits” compilations for Cracker available, but these, at best, cover only the first third of the band’s 35-year career. Both of these sources overlook some of the band’s most critically acclaimed and fan-favorite work.

In response to this, the band started a discussion with Cooking Vinyl to see if they could rectify the situation by producing a retrospective that would encompass the band’s entire career. Unfortunately, it became apparent that the cost of licensing tracks from the Virgin and Concord catalogs would be prohibitive. Undeterred, the band began to catalog the recordings they controlled, and a more promising idea emerged. They realized they had a collection of re-recordings, demos, outtakes, collaborations, and live tracks that told an alternate history of the band. And this collection would not only serve as an introduction to the band for new fans, but also provide long-time, hardcore fans with access to some rare and unreleased recordings. Thus, “Alternative History” was born.

What’s in this collection? Well, it starts with a mellow country-rock reinterpretation of “Sick of Goodbyes.” The recording features members of Drive-By Truckers, Brad Morgan and Jay Gonzales.

Next is the 2005 re-record of “Teen Angst” from the Redux album. This stays pretty true to the original because, like all the tracks on the Redux album, they were re-recorded so that when the band receives licensing requests, they can use their own masters.

“Mr. Wrong” is from a collaboration with Leftover Salmon in 2003, a reinterpretation of the song with a sort of bluegrass feel.

“I See The Light” is also from the Redux album and thus stays quite true to the original, except the end has more of a rave-up because, after years of performing this song live, that’s how the band plays it.

“Almond Grove” is a re-record with John Keane engineering, mixing, and playing a number of instruments. The story is that David was never totally happy with his vocals and banjo playing on the original version of the song. After the album was released, he initiated a new recording with John, who lives just down the street. This recording has some cool little arrangement quirks not in the original.

“Low” is a re-record from the Redux album. If you’ve heard the song in a film or TV show lately, it’s likely this is the version. The tonality of the song owes a lot to the Middle Eastern music David, Johnny, and Davey were listening to on the first Cracker tour. On this recording, Kenny Margolis further amplifies this with a short Middle Eastern accordion solo.

“Merry Christmas Emily” is a new recording, a reimagining of the song featuring Megan Slankard and Jeremy Lawton (Big Head Todd and the Monsters). Megan adds an ‘Emily’ counterpoint to the song, making the already unreliable narrator even more unreliable.

“The World is Mine” is another re-record from the Redux album, worth it just for the moment drummer Frank Funaro kicks into double time.

This “Sweet Potato” recording is from the 2003 collaboration with Leftover Salmon. Many fans prefer this to the original.

“Turn On, Tune In, Drop Out With Me” is a live version from the legendary German concert TV show Rockpalast. This performance predates the album version and has a fairly different feel.

“Seven Days” recorded live at Teatro Lara in Madrid is a barn burner.

“Big Dipper” is also a re-record from the Redux album. It sticks very close to the original because it’s a damn near perfect recording.

“Eurotrash Girl” is redone as a bluegrass waltz featuring Leftover Salmon.

Then, a recent mostly acoustic performance of “King of Bakersfield” with some nice Southwestern accordion work by Jeremy Lawton follows.

There’s nothing new about “I Need Better Friends.” It’s a hidden gem from an often overlooked album, and people need to hear it.

“Father Winter” is a demo that David Lowery recorded for Johnny Hickman before they formed Cracker. In some ways, it’s the Cracker ur-song.

Next are a couple of fantastic live performances from Cracker’s appearance on the Rockpalast TV show: “One Fine Day” and “Gimme One More Chance.”

Then there’s a live performance of “Sunrise in the Land of Milk and Honey,” slowed down and stripped down.

“River Euphrates” is a track from the out-of-print Tucson EP. This recording is a live performance from a show in Germany.

“I Want Everything” is from the live show in Madrid 2021.

And to showcase the bands punkier material “Movie Star” and “Don’t F*ck Me Up With Peace and Love” from that same Madrid show.

“Ain’t Gonna Suck Itself” is also from the Redux album, but it’s an original track, not a re-record. It was meant to be the ultimate record company ‘kiss-off’ song. Essentially, the meta-meaning is, “Hey, we re-recorded our greatest hits, so screw you, Virgin Records.”
– Boo Haggerty, Tybee Island, GA

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Cracker’s “Alternative History: A Cracker Retrospective” will be released as a 3-LP LTD edition colored vinyl gatefold set with 12-page booklet, a 2-CD set with 28-page booklet, and available on digital & streaming platforms November 22nd, 2024 via Cooking Vinyl. Click here to order. 

CRACKER (photo: Jason Thrasher)

CRACKER 2024/25 TOUR DATES:
Friday, December 13 – Off Broadway St Louis, MO

Saturday, December 28 – Celebrity Theatre, Phoenix, AZ (w/ Roger Clyne and Peacemakers)

Sunday, December 29 – Launchpad, Albuquerque, NM

Tuesday, December 31 – Bluebird Theatre, Denver, CO

Saturday, January 4, 2025 – 3Ten, Austin, TX

Friday, January 10, 2025 – Beachland Ball Room, Cleveland, OH

Saturday, January 11, 2025 – Magic Bag, Ferndale, MI

Thursday, January 16, 202 – State Theatre, Falls Church, VA

Friday, January 17, 2025 – World Cafe Live, Philadelphia, PA

Saturday, January 18, 2025 – Sony Hall, New York City, NY

Sunday, January 19, 2025 – Middle East, Boston, MA

Wednesday, March 5 – Saturday, March 8, 2025 – Cracker CAMP-IN #11 @ 40 Watt Club, Athens, GA (w/ Ike Reilly, The Hackensaw Boys, Jim Dalton, Abe Partridge & others)

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FOR MORE INFO ON CRACKER:
WEBSITE | X | FACEBOOK | YOUTUBE 

FOR MEDIA & INTERVIEW REQUESTS:
Tony Bonyata

Pavement PR

p: 262.903.7775

e: tony[AT]pavementpr.com

http://pavementpr.com

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The Harlem Gospel Travelers’ new studio album “Rhapsody” has just been nominated for a Grammy in the Best Roots Gospel Album category! Big props to Ifedayo, George, Dennis and band for this major accomplishment!

With The Harlem Gospel Travelers’ new album Rhapsody, the extraordinary vocalists Ifedayo, Dennis Bailey, and George Marage are able to fully explore the entire range of music that influenced them. The follow-up to their acclaimed 2021 release Look Up!, the record is a dive into a lesser-known but hugely important era in the evolution of gospel music.

MAGNET Exclusive: Premiere Of Gyasi’s “Sweet Thing” Video
“It’s a song celebrating individuality, self-transformation and the power that lies in living your truth—even when it brings ridicule and alienation,” says Gyasi, summing up “Sweet Thing,” the latest from his third studio LP, Here Comes The Good Part, available February 7 via Alive Naturalsound.

Individuality and self-transformation are recurring themes that drive the time-warped musical persona of the Nashville-based artist, whose fixation on Bowie, Lou Reed, T.Rex and the over-the-top theatricality of ’70s glam in general is pretty much a way of life. For an artsy, creative kid raised in rural West Virginia, reinvention seemed like the only way to survive.

“Growing up, I often felt the need to hide my unique self, and so I feel deeply for those on a similar journey,” he says. CLICK HERE TO READ THE REST. 

The Harlem Gospel Travelers turned in a fiery Live on KEXP session in August, where they performed tracks from their Grammy-nominated studio album “Rhapsody”

Click here to check out this amazing performance.

The Harlem Gospel Travelers @ KEXP 8-20-2024

Photo by Amber Knecht, knechtcreative.com

Check out Thee Sinseers’ Live on KEXP session, where the SoCal soul ensemble performed tracks from their acclaimed debut album “Sincerely Yours” (out now via Colemine Records).

Click here to check out this amazing performance.

[photos: Brady Harvey]